Effects Pedals

Mk-2 Logarhythm Stomp Box by Log-Jam - FREE P&P (MK2Log)

Thu, 11 Mar 2010 21:26:39 +0000

The Log will put out a nice round bassy kick drum without the need for a drum machine. In fact you'll find that audiences are fascinated by the idea that you can plug a piece of timber into an amplifier to produce the rhythm. How cool is that? All you've got to do is tap your foot on The Log in time with the music you're playing. Depending on the type of shoes you're wearing you will find that the sound of The Logarhythm will change. Hard leather soles will produce a more "toppy" sound than say trainers or thick rubber soles. Tapping your foot at different points along the width of The Logarhythm will also produce a tonal variation. It's pretty versatile. The Logarhythm is made from a high-quality African hardwood called Sapele. All Logs are given a generous double coating of Linseed oil before they leave our workshops. The base of the unit features a non-slip black gauze pad in order to stop it skating around the stage… but for even better adhesion and to get some extra-funky grooves, we suggest that you take a look at the Heel’n’Toe (pictured above) with The Log and The Wedge. So there you go . . . put one end of a guitar lead into the Log Out socket and the other into your amp or PA. Bring the volume up slowly to avoid excessive levels, increase the bass and turn down the treble and mid tones on the amp and you're away. What could be easier?

Price:£ 49.99

Line 6 POD X3 (99-060-1104)

Thu, 11 Mar 2010 21:26:39 +0000

The desktop-friendly POD® X3 represents the exciting evolution of the classic bean-shaped digital guitar amp modeler, with an expanded array of 78 guitar amps, from high-wattage heavyweights to boutique beauties and vintage treasures. Guitar amp models are just the beginning: With 24 guitar cabs, 98 stompbox and studio effects, 28 bass amps, 22 bass cabs and six vocal preamps - POD X3 comes complete with the all-around sonic firepower of a top-tier major-label studio, ready to tackle guitar, bass vocals and beyond. What's more, its larger LCD and smart new editing workflow pages make it easier than ever to find, tweak and save tones. POD X3 also offers powerful new Dual Tone processing and routing options. Split your single-input guitar or bass signal through two different amp and effect chains simultaneously to create gorgeous new hybrids, or use the dual inputs on POD X3 to individually process two instruments''a microphone and a guitar, for example''at the same time. Whether you're playing through a P.A., amp or recording rig, plug your microphone into the XLR input on the POD X3 to make vocals and acoustic guitars sound their absolute best. Computer recording enthusiasts will want to exploit the USB 2.0 connectivity provided by POD X3 for multi-channel recording as well as its S/PDIF Stereo Digital Audio Output for sending an ultra-clean signal to their DAW. While commanding the studio with the classically styled POD X3, you'll be outfitted with even more of the flexibility and timeless tones that have made POD the global standard for the discriminating guitarist. Quite simply, there has never been an amp modeler with this much sheer firepower. The awesome amp arsenal in POD X3 boasts a whopping 78 guitar amps and 24 guitar cabinets, from boutique beauties to screaming monsters, along with 28 bass amp models and 22 bass cabinet models. With the new POD X3 Dual Tone processing, you can double your trouble by running through two amp rigs simultaneously, pairing any of the rumbling amp models in POD X3 for new and adventurous hybrids. And of course, POD X3 uses A.I.R. II microphone modeling to give you four mic options (with control of mic positioning and room bleed) for every single cab. Here's what you get: Guitar Amplifier Models based on: 1. ''Wide panel'' Fender® Deluxe Reverb® 2. Fender® Bassman® 3. Fender® Deluxe Reverb® 4. Vox® AC-30 5. Marshall® Super Lead 6. Marshall® Super Lead (''jumped'' channels) 7. Roland® JC-120 8. Marshall® JCM-800 9. Soldano SLO-100 10. Mesa/Boogie® Dual Rectifier® 11. Marshall® 1974X (18W Reissue) 12. Orange AD30TC 13. L6 Treadplate 14. L6 Chemical X 15. L6 Insane 16. L6 Piezacoustic 2 17. L6 Spinal Puppet 18. L6 Tube Instrument Preamp 19. Bogner Uberschall 20. Cornford mk50h 21. Diezel VH4-Lead 22. Diezel Herbert 23. ENGL® Powerball 24. Marshall® Silver Jubilee 25. Marshall® JCM-900-Clean 26. Marshall® JCM-900-Dist 27. Marshall® JCM-2000 28. Mesa/Boogie® Triple Rectifier® 29. Peavey® 5150 II® 30. Bogner Ecstasy 31. Diezel VH4-Crunch 32. Fender® Vibroverb 33. Fender® Dual Showman® Head 34. Marshall® JMP-1 35. Vox® AC-15 36. Mesa/Boogie® Mark IIc+ 37. Fender® Bassman® Head 38. Gretsch® 6156 39. Fender® Mini Twin Reverb® 40. Gibson® GA-18 Explorer® 41. Marshall® Super Bass 42. Marshall® Major 43. Silvertone® Twin Twelve 44. Supro® Thunderbolt 45 . Vox® Fawn NonTop Boost AC30 46. Dumble® Clean 47. Soldano SP88 48. Marshall® JCM 2000 49. Marshall® Super Lead Variac 50. Matchless DC-30 51. Blackface Fender® Twin Reverb® 52. Marshall® ''Block Logo'' JTM-45 head 53. Matchless Chieftain 54. Supro® S6616 55. Fender® Tweed Champ® 56. Hiwatt® DR-103 57. L6 Big Bottom 58. L6 Fuzz 59. L6 Octone 60. L6 Smash 61. L6 Sparkle Clean 62. L6 Throttle 63. L6 Clean 64. L6 Mood 65. L6 Agro 66. L6 Class A 67. L6 Variax Acoustic 68. L6 JTS 45 69. L6 Lunatic 70. L6 Bayou 71. L6 Crunch 72. L6 Purge 73. L6 Sparkle 74. L6 Super Clean 75. L6 SuperSpark 76. L6 Twang 77. L6 Chunk Chunk 78. Budda® Twinmaster 2x12 Combo Guitar Cabinet Models based on: 6x9 Supro® S6616 1x8 1961 Fender® Tweed Champ® 1x10 Gibson® 1x10 Gretsch® 6156 1x12 Line 6® 1x12 1953 Fender® Tweed Deluxe Reverb® 1x12 1964 Fender® Blackface Deluxe Reverb® 1x12 1960 Vox® AC-15 1x15 1962 Supro® Thunderbolt 2x2 Fender® Mini Twin Reverb® 2x12 Line 6® Fender® 2x12 1965 Fender® Blackface 2x12 1995 Matchless Chieftain 2x12 Roland® JC-120 2x12 1967 Vox® 2X12 1967 Silvertone® Twin Twelve 4x10 Line 6® 4x10 1959 Fender® Bassman® 4x12 Line 6® Marshall® 4x12 1967 Marshall® Basketweave with Greenbacks 4x12 1968 Marshall® Basketweave with Greenbacks 4x12 1978 Marshall® with stock 70s 4x12 1996 Marshall® with Vintage 30s 4x12 Mesa/Boogie® Try to picture this: a pedal board that's 30-feet long, with close to a hundred of the all-time greatest stompboxes (in pristine condition!), along with an effects rack that houses top-notch outboard compressors, reverbs, EQs and vintage preamps. And imagine that you could play and record through this Ã1/4ber-board with no noise at all, only one power supply and only a couple of knobs and switches to control the entire thing. That's what you get with POD® X3: 98 stompbox and studio effect models, the most mammoth collection of tones and timbres ever assembled. You can quickly create a custom effect path with up to nine simultaneous effects, and with POD X3 Dual Tone processing, you can even run through two completely independent effects chains at the same time, to create totally original (and insane!) walls of sound. POD X3 includes: - Stomp: Fuzz, Distortion, Overdrive and every flavor of delicious dirt. - Mod: Chorus, Flanger, Tremolo, Rotary, Phaser; some serious swoosh. - Delay: Multiple types of Analog, Digital, Tape and other echoes, echoes, echoes. . . - Reverb: Multiple types of Room, Hall, Chamber, Plate, Spring and more. - Beyond: Compressors, Gate, 4-Band Semi-Parametric EQ, Guitar Synth, Filters, Wah and the entire galaxy of otherworldly timbre tweakers. Teletronics LA-2A® 2. EP-1 Tube Echoplex 3. Electro-Harmonix® Deluxe Memory Man 4. Uni-Vibe 5. MXR® Phase 90 6. Fender® Deluxe Reverb® Tremolo 7. Leslie® 145 8. Arbiter® Fuzz Face 9. Ibanez® Tube Screamer 10. Big Muff Pi® 11. ProCo Rat 12. Maestro® Bass Brassmaster 13. Sans Amp Bass Driver 14. Arbiter® Cry Baby 15. L6 Vetta Comp 16. L6 Sub Octaves 17. L6 Slap Plate Reverb 18. L6 Male De-Esser 19. L6 Female De-Esser 20. L6 Vetta Wah 21. L6 Digital Delay 22. L6 Six band semi-parametric EQ 23. L6 Flanger 24. L6 Sine Chorus 25. L6 Noise Gate 26. L6 Standard Spring Reverb 27. L6 Brite Room Reverb 28. L6 Medium Hall Reverb 29. L6 Cavernous Reverb 30. L6 Bender pitch effect 31. Boss® CS-1 Compressor (treble switch) 32. Tycobrahe Octavia® 33. Binson EchoRec 34. Maestro® EP-3 Echoplex 35. Boss® DM2 Analog Delay 36. Roland® RE-101 Space Echo 37. Square CE-1 Chorus 38. A/DA Flanger 39. Boss® CS-1 Compressor 40. MXR® Dyna Comp 41. Vox® V847 Wah 42. Custom Vox® V847 Wah 43. Colorsound® Wah-Fuzz 44. Maestro® Boomerang Wah 45. Cry Baby® Super - Jen Electronics 46. RMC Real McCoy 1 Wah 47. Mu-Tron® III Down 48. Moog and ARP style synth filters 49. Moog Lead 50. ARP Solina / Elka® Strings 51. Boss® Metal Zone MT-2 52. Chandler Tube Driver® 53. Fender® Vibratone 54. L6 Sweep Echo 55. L6 Reverse Delay 56. L6 Stereo Delay 57. L6 Ping Pong Delay 58. L6 Small Room 59. L6 Lux Spring 60. L6 Auto Swell 61. L6 Auto Pan 62. L6 Large Hall 63. L6 Vintage Plate 64. 64 Mu-Tron® III 65. 1960 Vox® AC15 Tremolo 66. L6 Tiled Room 67. L6 Rich Chamber 68. L6 Large Plate 69. Boss® CE-1 Chorus Ensemble 70. L6 King Spring 71. L6 Dark Hall 72. L6 Chamber 73. Boss® Metal Zone 74. L6 Vetta Juice 75. L6 Boost & EQ 76. L6 Clean Sweep 77. L6 Seizmik Synth 78. L6 Double Bass 79. L6 Buzz Wave 80. L6 Rez Synth 81. L6 Saturn 5 Ring Mod 82. L6 Synth FX 83. L6 Synth Harmony 84. L6 Squarge Chorus 85. L6 Expo Chorus 86. L6 Random Chorus 87. L6 Square Flange 88. L6 Expo Flange 89. L6 Lumpy Phase 90. L6 Hi-Talk 91. L6 Sweeper 92. L6 POD Purple X 93. L6 Random Sample and Hold 94. L6 Tape Eater 95. L6 Warble-matic 96. L6 Low Rez Delay 97. L6 Phaze Eko 98. L6 Bubble Eko Think POD is only geared towards guitarists? Think again: POD® X3 might just be the ultimate secret weapon for bassists, singers and songwriters too. Bass players can combine any of the 28 badass bass amp and 22 bass cab models with any one of its killer studio-grade mic preamps, high-end compressors and super-cool stompboxes. Better yet, why not use Dual Tone processing to run up to nine of those stompboxes and studio processors on each of your two simultaneous bass rigs . . . in stereo! Now that's lowdown and dirty. . . Singers can run their studio microphone into the XLR input and take advantage of the warm and rich suite of mic preamp and compressor models provided by POD X3. Adding a touch of top-quality vintage spring or digital reverb will put that professional touch on all your best songs. Perform live using POD X3 Dual Tone processing to turn your POD X3 into both a vocal processor/preamp (via XLR input) and a guitar amp modeler/effector (via 1/4-inch input), and simply send a single stereo pair to the house as you sing and play your sensitive heart out! While you're at it, why not a route a drum machine or sampler to the Auxiliary input for a little backing beat? Bass Amplifier Models based on: 1. Ampeg® SVT 2. Ampeg® B-15A 3. Eden Traveler WT-300 4. Fender® Bassman® head 5. Gallien Kruger 800RB 6. Hiwatt® DR-103 7. Hiwatt® 200DR 8. Fender® Dual Showman® 9. Fender® Bassman® Combo 10. Mesa/Boogie® Bass 400+ 11. Polytone Minibrute 12. Sunn® Coliseum 13. SWR® SM-500 14. Versatone Pan-O-Flex 15. Vox® AC-100 16. Marshall® Major 17. Marshall® Plexi Super Bass 18. Acoustic 360 19. Aguilar® DB750 20. Alembic F-2B 21. L6 Tube Bass Preamp 22. L6 Classic Jazz 23. L6 Brit Invader 24. L6 Super Thor 25. L6 Frankenstein 26. L6 Ebony Lux 27. L6 Doppelganger 28. L6 Sub Dub Bass Cabinet Models based on: 1x12 Euphonics® CXL-112L 1x12 Versatone® Pan-O-Flex 1x15 Ampeg® B-15 1x15 SWR® Big Ben 1x15 Ploytone® Minibrute 1x18 Acoustic 360 1x18 Mesa/Boogie® 1x18 + 12 Sunn® Coliseum 2x10 Ashdown® ABM 210T 2x15 Fender® Dual Showman® 2x15 Mesa/Boogie® 2x15 Vox® AC-100 4x10 Line 6 Original 4 x 10 Fender® Bassman® Combo w/ new speakers 4 x 10 Fender® Bassman® Combo 4 x 10 Hartke® 4 x 10 David Eden 4 x 12 Hiwatt® Bass Cab 4 x 12 1967 Marshall® Basketweave w/ Greenbacks 4 x 12 1968 Marshall® Basketweave w/ Greenbacks 4 x 15 Marshall® Major 8 x 10 Ampeg® SVT Cab Vintage and Modern Preamp Models based on: 1. API® 512c with API® 550b EQ 2. Neve 1073 3. Avalon Vt737 4. Requisite Y7 5. L6 Solid State Console 6. L6 Lo-Fi RECORDING POD X3 isn't simply the most full-featured amp and effect modeler in the world. It's also a USB 2.0-based multi-channel digital recording interface, boasting top-tier specs like 24-bit studio-quality A/D and D/A converters and 32-bit floating point processing for sharp, clear audio imaging. Its 1/4-inch and XLR inputs can be used to simultaneously record two individual instruments or microphones to separate tracks in your DAW, each in stereo and each with the option of recording a dry or processed signal. POD X3 also includes a S/PDIF Stereo Digital Audio output for recording direct to pro applications like Pro Tools, Logic Pro and others. Tired of overtaxing your computer's CPU for effect processing chores? Let POD X3 onboard, real-time processor tackle those tasks instead, alleviating the load on your computer and virtually eliminating annoying latency issues.

Price:£ 287.00

E-bow The Ebow Plus Electronic Bow for Guitars

Thu, 11 Mar 2010 21:26:39 +0000

The EBow was introduced in the summer of 1976 at the NAMM Show (National Association of Music Merchants)in Chicago. The EBow was introduced in 1976. The first model was chrome plated plastic and turned on and off automatically. The second model was black with a red logo. It had increased drive and an on/off switch. The third model was black with a white logo. It had an improved sensitivity for faster string activation. This fourth model is called the PlusEBow. It features the new harmonic mode and a cool blue LED. To get the slower activation and mellow sound of the original EBow, tilt the later models away from the strings. In the early days, it was used by TomPetty, Big Country, Duran Duran, Blondie, Bauhaus, David Bowie, Blue Oyster Cult and Bill Nelson. More recently Van Halen, Smashing Pumpkins, Red Hot Chili Peppers, Pink Floyd, Peter Gabriel and the Psychedelic Furs. It's used by The Robert Fripp String Quintet, The California Guitar Trio, Fred Frith, and Love and Rockets. Peter Gabriel used it live on Red Rain on the David Letterman Show. John Cage used EBows on a strange piece for 10 harps. It's used live by U2 on Unforgettable Fire. Buddy Emmon's uses his on Pedal Steel Guitar and Chris Proctor ebows his acoustic guitar.

Price:£ 84.99

Line 6 FBV Shortboard MkII USB Advanced Programmable Foot Controller (99-040-0902)

Thu, 11 Mar 2010 21:26:39 +0000

FBV Shortboard MkII isn't your average foot controller. It's a full-on remote control that keeps you at the foot of the stage instead of tied to the front of your Line 6 amp or POD®. LUCKY 13 FBV Shortboard MkII delivers out-of-the box, plug-n-play connectivity. Stomp the 13 steel footswitches to quickly scroll and select channel presets, synchronize your time-based effects with Tap Tempo, activate effects, the chromatic tuner, and more. When paired with Spider® IV guitar amplifiers, the footswitches can activate many on-board amp effects including Quick Loop, Pitch Glide and Smart Harmony, and provide up to 128 user-created presets. The burly, full-sized volume/wah pedal feels solid under your foot and features plenty of grip. Clicking the toe-switch toggles between volume and wah control (with an illuminated LED to match). Oversized and backlit, the LCD is big, bright and easy to read. It displays the active preset name and number, and the chromatic tuner (when activated).

Price:£ 154.00

Line 6 FBV Shortboard Advanced Foot Controller (99-040-0901)

Thu, 11 Mar 2010 21:26:39 +0000

Get a whole lot more out of your Vetta combo, Vetta HD, duoVerb, PODxt, or Flextone III. The backlit display on the Line 6 FBVSB Short Board Footcontroller shows where you are. The rugged steel stomp switches and pedal give you complete control of where you're going. With wah/volume pedal, chromatic tuner, access to 36 presets on duoVerb, dedicated channel switches, dedicated effect and FX loop on/off switches, large naming display, expression pedal input for dedicated volume control, and tap tempo switch for Vetta, it's way more than just a footswitch. Powered by the Vetta or duoVerb. Cable included.

Price:£ 193.00

Line 6 FBV Express MkII USB Programmable Foot Controller (99-040-0814)

Thu, 11 Mar 2010 21:26:39 +0000

Tough enough for arena stages yet small enough to fit in your backpack, FBV Expres MkII delivers a crucial collection of hands-free functionality that will keep you at the foot of the stage instead of tied to the front of your Line 6 amp or POD. FOUR ON THE FLOOR FBV Express MkII delivers out-of-the box, plug-n-play connectivity. Stomp the four steel footswitches to quickly store and select channel presets, synchronize your time-based effects with Tap Tempo, activate the chromatic tuner, and more. When paired with Spider IV guitar amplifiers, the footswitches can activate many on-board amp effects including Quick Loop, Pitch Glide and Smart Harmony. The burly, full-sized volume/wah pedal feels solid under your foot and features plenty of grip. Clicking the toe-switch toggles between volume and wah control (with an illuminated LED to match). The bright and easy-to-read LCD shows tap tempo, active channel and the chromatic tuner (when activated). Take full advantage of FBV Express MkII with the free and downloadable FBV Control software. The application shows you a graphical representation of your FBV Express MkII and lets you fully customize the footswitch and pedal functions. Assign the footswitches and pedal to perform MIDI CCs, bank changes, program changes and even transport commands to drive many popular audio applications including ProTools®, Propellerhead Reason® and Record, and more! Create and save endless variations - a few for gigs, a few for the studio - and easily add them to your FBV Express MkII via USB.

Price:£ 84.99

Line 6 FBV2 2 Button Footswitch Controller (99-040-1201)

Thu, 11 Mar 2010 21:26:39 +0000

Don't feel like carrying around a full-sized foot controller? Now you don't have to! The FBV2 lets you scroll through the first bank of four presets and is small and light enough to fit in your gig bag. With its ultra-reliable switches and aluminum case, the FBV2 can take all the abuse you can throw at it.

Price:£ 19.99

Boss ME-70 Guitar Multi-Effects (61817)

Thu, 11 Mar 2010 21:26:39 +0000

The Boss ME-70 Guitar Multi-Effects Pedal has a friendly, knob-laden design, making tone creation easy. But with a powerful COSM Preamp section derived from the Boss GT-10. The Boss ME70 breathes life into your performances with the built-in Expression Pedal. Simply dial up one of the six pre-programmed pedal-control destinations (Wah, Voice, +1 Octave, -1 Octave, Mod Rate, and Delay Level), put your foot down, and express yourself. The Boss ME-70’s Delay section is equipped with a dedicated Phrase Looper, which offers a lengthy 38 seconds of recording time. Play a riff, capture and loop it, and solo over it, all in real time onstage. Amaze your audience with multi-layered magic live onstage.

Price:£ 229.99

Boss GT10 Guitar Effects Processor (48565)

Thu, 11 Mar 2010 21:26:39 +0000

Availability: 10 in stock Order before 10am & we'll ship out the same working day. Click here for details. Delivery costs explained Our Price £389.99 Our prices are the same in store & online Buy on 0% finance for only £39.00 a month! Click Here for more information Reserve Collect Add to Wish List Seen a Better Price? Click on image to enlarge * Description * Ask Question * Tell a Friend * User Reviews Bookmark and Share The Roland GT-10 Guitar Effects Processor The latest Boss Flagship for Floorboard Multi-FX. The Roland GT-10, driven by BOSS’s latest custom-made DSP and proprietary sound-modeling COSM engine, is a floorboard powerhouse that offers natural and musical response as well as a marked improvement in sound quality from previous generations. It’s also loaded with an innovative user interface, including EZ Tone, so guitarists can obtain the exact sound they desire in the most intuitive way imaginable. BOSS’s legendary know-how of effects and sound modeling are fully integrated into the latest Boss GT10 flagship floorboard multi-FX unit. As a result, tone quality is significantly higher, and response to playing dynamics is much more natural and musical. And not just for the stage - the Boss GT-10 is also great in the studio thanks to its USB capability and digital output.

Price:£ 389.99

Ashton Chorus Pedal (CR30)

Thu, 11 Mar 2010 21:26:39 +0000

The rich sound of the CR30 chorus pedal is the perfect way to fill out your sound! In a hardwearing die-cast metal case, the vintage analog chips in the CR30 will turn your plain sound into a wide, lush tone great for any style of music. Perfect for guitar, vocals or keyboard, the CR30 is powered by either 9V battery or optional power adaptor.

Price:£ 34.99

Line 6 - Pocket POD Pack - Portable Desktop Guitar Preamplifier - New 2009 - (99-075-0105Pk)

Thu, 11 Mar 2010 21:26:39 +0000

Pocket POD® exhibits all the celebrated features and pro tone that makes POD a standard in recording studios everywhere. Don't be fooled by the smaller package, Pocket POD is packed with over 300 custom presets dialed in by some of today's hottest rock stars like Maroon 5, P.O.D., 311, Hoobastank and many more. Included in Pocket POD Pack: - Pocket POD. Over 300 custom presets dialed in by some of today's hottest rock stars, plus 32 classic and modern amp models, 16 cab models and 16 effects. Learn more about Pocket POD! - 1/4-inch guitar cable. Plug your guitar into Pocket POD, or plug Pocket POD into your amp for legendary POD® tones at full volume! - 1/8-inch auxiliary cable. Jam along with your favorite songs by plugging your MP3 player into Pocket POD. - Earbuds. Play any time of the day or night with the included earbuds. - DC-2 power adapter. Save your batteries and plug Pocket POD into the wall. - CD-ROM. Jam with MP3s that feature top players, and create your own tone presets with the easy-to-use tone-editing software. - USB cable. Load your presets, or any of the free presets you’ve downloaded from CustomTone.com, right into Pocket POD. Battery-powered and about the size of a tuner, Pocket POD is completely portable. Use it for effects in front of your amp, or just plug in headphones and practice anywhere, anytime. Connect to any computer via USB, then download the free Vyzex software and ''deep dive'' into all your tone details to create your own custom tone, or manage your own personal tone library right on your desktop. Or visit CustomTone.com to download any of the 3,000 free presets created by guitarists from around the world. Pocket POD lets you sound like a rock star wherever you go. 300+ Preset Dialed in By Artists and Studio Musicians Steve Pedulla - Thursday Randy Torres - Project 86 Bumblefoot John Lefler - Dashboard Confessional Tim Wheeler - Ash Nick Hipa - As I Lay Dying Phil Sgrosso - As I Lay Dying Jim Ward - Sparta Keeley Davis - Sparta Matt Scannell - Vertical Horizon John Z - Volto Tim Mahoney - 311 Marcos Curiel - P.O.D. Bjorn Agren - Razorlight Dan Estrin - Hoobastank JT Woodruff - Hawthorne Heights Jim McGorman - Hawthorne Heights Joel Stroetzel - Killswitch Engage James Valentine - Maroon 5 Cabinet Models based on: 1960 Fender® Tweed Champ® 1952 Fender® Tweed Deluxe Reverb® 1960 Vox® AC-15 1964 Fender® Deluxe Reverb® 1965 Fender® Blackface Twin Reverb® 1 967 Vox® AC-30 1995 Matchless Chieftain 1959 Fender® Bassman® 1996 Marshall® with Vintage 30s 1978 Marshall® with stock 70s 1968 Marshall® Basketweave with Greenbacks Line 6® 4x12 Line 6® 1x12 Line 6® 2x12 Line 6® 4x10 Amp Models based on: '64 Fender® Deluxe Reverb® '59 Fender® Bassman® '68 Marshall® Plexi 100 watt Marshall® JTM-45 meets Budda Twinmaster '60 Tweed Fender® Champ® Budda Twinmaster head '65 Blackface Fender® Twin Reverb® '60 Vox® AC 15 '60 Vox® AC 30 nonTop Boost '85 Mesa/Boogie® Mark IIc+ Clean Channel '85 Mesa/Boogie® Mark IIc+ Drive Channel Dumble® Overdrive Special Clean Channel '95 Mesa/Boogie® Dual Rectifier® Head '89 Soldano SLO Super Lead Overdrive Dumble® Overdrive Special Drive Channel 1987 Roland® JC-120 Jazz Chorus Line 6® Insane EFFECTS Pocket POD® may be smaller than most stompboxes, yet it comes packed with 16 professionally designed effects models allowing for a wide variety of personal tonal character. Tweaking effects is easy with the bright LCD interface and easy to use knobs and buttons. Download the free Vyzex editing software at Line6.com to ''deep dive'' and fine-tune each detail of your own custom tone. Multiple versions of effects give you rack or stompbox options, and the combination effects give you classic setups like Delay and Chorus simultaneously. POCKET POD EFFECTS Compressor Delay/Compressor Tremolo Delay/Tremolo Chorus 1 Delay/Chorus 1 Chorus 2 Delay/Chorus 2 Flanger 1 Delay/Flanger1 Flanger 2 Delay/Flanger2 Rotary Speaker Delay/Swell Delay Reverb Connect your Pocket POD® directly into your amp or PA system, and transform your sound with perfect tone and all the amp modeling and effects only found on POD. The headphone jack out allows you to practice anywhere without disturbing the neighbors, and the CD/MP3 jack gets you jamming along with your favorite bands. Practice anywhere! Pocket POD runs off 4 AAA batteries. A 9V DC power plug is great for when you're not on the go. 5'' long by 3 1/2'' wide by 2'' deep, and weighs in at a mere 6 oz, Pocket POD is your completely portable multi-effects solution. Pocket POD comes with a USB to USB Mini cable connection. ''Deep dive'' into all your tone details using the Vyzex software. Create your own custom tone or manage your personal tone library right on your desktop. (Pocket POD is a class compliant USB MIDI device. You will not be able to directly record over a USB connection.)

Price:£ 99.99

Line 6 JM-4 Looper - Looper Stompbox Modeller (99‐060‐1304)

Thu, 11 Mar 2010 21:26:39 +0000

Combining exhilarating jam tracks with sound-on-sound looping and a full arsenal of legendary Line 6 tones, JM4™ Looper sparks inspiration in ways other looping pedals can only dream. JM4 Looper features over 100 Endless Jam™ tracks and drum grooves in more than 10 styles performed by top LA and Nashville session players. These tracks aren’t rigid and robotic; these are actual recordings laid down by A-list drummers, bass players and guitarists. The real-world chemistry from these dynamic rhythm sections is here for you to explore your creativity in writing songs, trying out solo ideas or just honing your chops between gigs. With up to 24 minutes of recording time, and storage for up to 100 recorded jams, JM4 Looper lets you capture all your riffs and musical ideas. A 2-GB SD card in the SD card slot provides additional jam storage and .WAV file transfer to your computer or recording software. Plus, use the SD card to import your own songs into JM4 Looper and transpose, time-stretch or loop over any music you want. The looper has dedicated footswitches for Record/Overdub, Play/Stop, Half Speed and Undo for super-easy practicing, songwriting and creation of an entire backing band on the fly. Layer guitar tracks, bass tracks, keyboards - even vocals with the balanced XLR microphone input. Complete with a comprehensive collection of brilliant modern and historic guitar tones, JM4 Looper gives you access to 200+ artist-created presets, 150+ song-based presets, 12 Line 6 amp models and a stunning array of effects for guitar and vocals. There’s even room for 36 presets of your own creation. To get the best possible sounds, we’ve compiled a roster of ridiculously good A-list session players and recorded them at amazing studios around the country including Steve Vai’s studio, The Mothership, as well as Sound Asylum in Canoga Park, California and Sound Emporium’s Studio B in Nashville, Tennessee. Here are a few choice cuts: JAM 108 BLUES STOMP VIBE: Gregg counts off this slammy stomp that comes complete with thumpy bass and triplet chorus. FEATURING: Tal Morris (guitar), Tony Franklin (bass), Gregg Bissonette (drums) JAM 126 DRIVING ROCK VIBE: Palmed bass and guitar start off this big, highway-inspired thump. The chorus gets huge when it opens up! FEATURING: Tal Morris (guitar), Tony Franklin (bass), Carmine Appice (drums) JAM 100 OUTLAW COUNTRY CLUB VIBE: A smooth, twangy, mid-tempo bounce inspired by the greats of outlaw county. Jam along to solid rhythms and a sweet chord progression. FEATURING: Brent Mason (lead guitar), Dave Pomeroy (bass), Steve Turner (drums), John Hobbs (keyboards), Pat Bergeson (acoustic guitar), Paul Franklin (steel guitar) JAM 101 OUTLAW COUNTRY VIBE: Solo or comp along with just bass and drums in this stripped-down country jam. FEATURING: Dave Pomeroy (bass), Steve Turner (drums) JAM 157 SUGARFOOT RAG VIBE: Perpetually ready for liftoff, Dave and Steve hold down this rodeo rag perfect for strummin’ or chicken pickin’. FEATURING: Dave Pomeroy (bass), Steve Turner (drums) JAM 112 HALF-TEMPO ROCKER VIBE: Starting off with an explosive drum fill, this jam’s got a wide, roomy drum sound, stiletto guitars and dirty bass. FEATURING: James Santiago (guitar), Tony Franklin (bass), Carmine Appice (drums) JAM 103 SWING ROCKER VIBE: Pulsing, gritty bass and tight hi-hats really push along this jam. The feel is solid and right in the pocket. FEATURING: Tony Franklin (bass), Simon Phillips (drums) JAM 150 WALKING JAZZ VIBE: Light and airy but dynamic with Tony’s walking bass as the backbone. Hear Gregg switch from sticks to brushes! FEATURING: Tal Morris (guitar), Tony Franklin (bass), Gregg Bissonette (drums) JAM 117 GRUNGE JAM VIBE: Blistering, gritty and ferocious! Everybody’s just pounding away in this tight and brutal rock onslaught. FEATURING: Tal Morris (guitar), Tony Franklin (bass), Gregg Bissonette (drums) JAM 098 RED GROOVE 1 and 6 VIBE: Layers of rhythmic texture put the swing in this jam that’s just begging for solos. FEATURING: Dave Pomeroy (bass), Steve Turner (drums) JAM 105 AMOS GROOVE 3 and 4 VIBE: An R n’ B-flavored bass line and funky beat make this jam ideal for tightening up those major 7th chords. FEATURING: Dave Pomeroy (bass), Steve Turner (drums) JM4™ Looper offers an extensive collection of modern and historic guitar tones including 200+ artist-created presets, 150+ song-based presets, 12 Line 6 original amp models and a stunning collection of effects for guitar and vocals. There’s even room for 36 presets of your own creation.

Price:£ 229.99

Line 6 FBV Express Foot Controller (99-040-0804)

Thu, 11 Mar 2010 21:26:39 +0000

Designed for the performing guitarist who needs a compact, cost effective foot controller, FBV Express allows guitarists to instantly recall an entire rig via four gig-ready footswitches built into a road-ready steel enclosure. FBV Express delivers tap tempo for effects, a chromatic tuner interface for quick and accurate tuning, and a full size, heavy-duty Volume/Wah pedal. FBV Express is a must-have for the performing guitarist who needs powerful features in compact controller. - FBV EXPRESS: Switches for Channels A, B, C, & D - Tap on the current channel for Tap Tempo - Wah/Volume pedal - Chromatic tuner interface - Self-powered though the locking RJ-45 cable (included)

Price:£ 79.00

Dunlop Zak Wylde Signature Pedal (ZW45)

Thu, 11 Mar 2010 21:26:39 +0000

Guitarist Zakk Wylde, famous for his highly distinctive, no-compromise guitar work with the metalmeister himself, Ozzy Osbourne and his (Zakk's) own band, Black Label Society, has once again added some more pedal power for all fans of his monster sound. Zakk's signature MXR Wylde Overdrive pedal which was launched early last year looked great with Zakk's unmistakeable 'bullseye' design. One other pedal which is never out of Zakk's guitar effects pedalboard is a Crybaby wah wah. So once again, Zakk has joined forces with the Jim Dunlop concern to deliver the toughest, meanest Crybaby wah pedal on the planet - the Zakk Wylde Signature Wah! Built from the ground up with great tone and rugged durability in mind, the Wylde Wah pedal can stand up to the crushing stomp of metal's reigning king of lead guitar. Like Zakk, the Wylde Wah is instantly recognisable and features a heavy duty, burnished raw metal casing and contains only totally roadworthy components designed to withstand years of ass-kicking abuse! The guts of Zakk's wah have been finely tuned to the man's exacting specifications, specially voiced to deliver an extra thick and cutting tone. The single-Q pedal sweeps a truly tone-mungous100K Ohm Hotz Potz potentiometer, with the Effect On/Bypass toggle switch located at the bottom of the pedal's travel, in true Crybaby fashion. Best of all, like Zakk's MXR Wylde Overdrive, the Wylde Wah won't have you digging too deep in the old pockets for a major slice of wild Zakk wah tone.

Price:£ 132.79

Dunlop MXR Zakk Wylde Overdrive (ZW44)

Thu, 11 Mar 2010 21:26:39 +0000

Whether on his groundbreaking work with the Godfather Of Metal, Ozzy Osbourne, or with his own band, Black Label Society, Zakk Wylde's guitar playing is loud tough and relentless. Zakk's take-no-prisoners attitude extends to his quest for tone, too. When he wanted to develop his signature overdrive pedal, he got in touch with effects pedalmeisters, Jim Dunlop, and the result is the new Wylde Overdrive. This muscular stompbox will turn your clean amp into a heavy, chunky, crunch machine! Or, use it like Zakk does and kick it in front of a dirty amp sound for a screaming, sustaining lead tone.

Price:£ 116.99

Swollen Pickle MKII Super Jumbo Fuzz Pedal (WHE401)

Thu, 11 Mar 2010 21:26:39 +0000

The most sought after and corpulent Way Huge pedal is back! The Swollen Pickle MkII surrenders super high-gain fuzz with copious amounts of smooth low-end to all who dare plug into it. With a twist of the Sustain control, you're taken from mild crunch to Armageddon! The Filter control retains its trademark insane range of heavily band-pass-filtered tones, distinguished by remarkable girth and sizzle, and the Loudness puts out enough volume to clobber any amp! Newly added features include a tone stack Scoop control that elicits classic Swollen Pickle mid-scoop or a flat mid-frequency sweep, and a Crunch knob to adjust the compression intensity of the fuzz. Finally, under the hood, the Swollen Pickle MkII has two internal mini controls; Voice sets the intensity of the external scoop control from light to heavy mid cut, and Clip varies between two sets of clipping diodes for smooth or opened fuzz sustain. A charter member of the Way Huge line has returned, and just like when it debuted in 1997, it still has ''more fuzz than a moldy peach!''

Price:£ 179.79

Fat Sandwich Harmonic Saturator Distortion Pedal (WHE301)

Thu, 11 Mar 2010 21:26:39 +0000

The Fat Sandwich represents a new era in pedal design for Way Huge. In addition to carrying on the Way Huge tradition of amazing tone, rugged construction and cool names, the Fat Sandwich delivers heaps of crunchy distortion goodness via its innovative multi-stage clipping circuit. Meticulously designed from the ground up, the passive tone stack was tuned to bring out the ''sweet spot'' with any guitar and amp combination. The Volume control produces tons of output, making it ideal for driving the headroom out of the most powerful tube amps. Additionally, the Fat Sandwich has two internal mini controls: the Curve knob lets the user fine-tune the corner frequency of the overdrive filtering and the Sustain control adjusts the gain of the final distortion stage. The Fat Sandwich is versatile and over the top - the consummate distortion pedal for any genre or playing style.

Price:£ 195.59

Pork Loin Soft Clip Injection Overdrive Pedal (WHE201)

Thu, 11 Mar 2010 21:26:39 +0000

Make room for one more Way Huge original! The Pork Loin incorporates two distinct tonal pathways that are blended together - a modern soft clipping overdrive and a modified classic British preamp for clean. At the heart of the Pork Loin's overdrive path is a soft clipped BiFET overdrive gain stage with a passive Tone control, rounded out by a Curve function that gives the user freedom to fine-tune corner frequencies. The Volume control regulates the masses of pork power that exude from its space age circuitry, leaving room for the Clean control to blend in its warm glistening clean tones. Additionally, the Pork Loin has three internal mini controls: Filter and Voice deliver extensive tonal shaping possibilities, while the overdrive Mix control allows the Pork Loin to be run as a clean preamp. With a wide range of dynamic tones from supple and clear to warm and punchy, the Pork Loin's amazing features make it the premier overdrive pedal on the market today!

Price:£ 187.79

Dunlop Uni-Vibe Stereo Chorus Pedal (UV1SC)

Thu, 11 Mar 2010 21:26:39 +0000

The Uni-Vibe Stereo Chorus was inspired by the original classic Uni-Vibe, but taken one step further into two dimensional stereo. With the Mix knob set on wide, the effect modulates alternately to the left and right channels, at the rate and intensity you've chosen. Moving the Mix knob towards mono brings the effect closer to the ''centre'' by variably blending the two outputs. Gives you all the airy, phasey, rotating speaker sounds of the Uni-Vibe IN STEREO in a small, rugged package.

Price:£ 171.99

Uni-Vibe Foot Controller Pedal (UV1FC)

Thu, 11 Mar 2010 21:26:39 +0000

This classic Uni-Vibe foot control pedal lets you transfer the Speed and Effect Bypass functions from the main unit to your foot. With delicate, real time control, you can modulate either the Chorus or Vibrato effects to suit the mood of your music. Uses heavy die-cast zinc housing, high quality connectors and a 10 million cycle industrial grade microswitch for silent, reliable operation.

Price:£ 101.39

Dunlop Crybaby Slash Wah Pedal (SW95)

Thu, 11 Mar 2010 21:26:39 +0000

Like the man himself, the new Slash Wah from Dunlop is both revolutionary and classic, right down to its hot rod metallic red finish and cutting edge circuit design. Now you can have all the features and screaming tone of Slash's very own custom wah pedal''a tool as essential to the hard rock icon's style as his Les Paul and Marshall amp. The Slash Wah deploys searing high gain distortion circuitry either before or after the wah circuit, so you can get two very different and distinctive sounds. It features the heralded Fasel Inductor for a sweet, singing top end, and is modified to Slash's own specs for more upper midrange bite and sparkle. Internal EQ controls for treble, midrange and bass let you customize your wah tone, and 18-volt operation yields tons of extra headroom. Convenient LEDs indicate distortion on/off and wah on/off modes, so there's no more guessing game every time you put your foot down. And with the batteries readily accessible from the top of the rocker pedal, you don't have to fumble with a screwdriver when its time to re-power. So get your boot on a Dunlop Slash Wah. Top hat not included.

Price:£ 203.39

MXR Custom Audio Electron, Power System (MC403)

Thu, 11 Mar 2010 21:26:39 +0000

The MC-403 Power System''the latest collaboration between Bob Bradshaw and the MXR design team''is truly the ultimate power supply. The MC-403 powers more types of pedals and electronics at one time than any previous power supply unit available. High quality, high performance toroidal transformers insure quiet operation with superior performance capabilities. Designed for maximum flexibility, the MC-403 can be used on pedal boards or rack mounted in a single rack space with the front mount bracket (included). All multi-tap outputs are completely isolated, linear regulated, and short-circuit protected to insure reliable operation. Enclosed in a heavy-duty housing, the MC-403 is designed for years of rugged road or studio use.

Price:£ 273.99

MXR Custom Audio Electron, Boost/Od (MC402)

Thu, 11 Mar 2010 21:26:39 +0000

MXR and Custom Audio Electronics founder Bob Bradshaw''two names that have shaped the tones of the world's greatest guitarists''join forces to bring you a dynamic new line of pedals. The Boost/Overdrive and Boost pedals are the first offerings in the series produced by MXR, featuring the unique sonic stamp of legendary designer Bob Bradshaw. Since 1980, CAE's innovative pedal designs were made in limited quantities only for his select clientele. When it was time to bring these pedals to the masses, there was only one name he could trust to deliver the same quality and standards that his customers demand''MXR. Available only from Dunlop Manufacturing, Inc., the world's leader in analog pedal technology.

Price:£ 156.39

MXR Custom Audio Electronics, Boost (MC401)

Thu, 11 Mar 2010 21:26:39 +0000

Price:£ 116.99

MXR Bass Di+, Black (M80)

Thu, 11 Mar 2010 21:26:39 +0000

Furious, growling bass tone is here! You've never seen a stomp box as useful - or necessary - as the new MXR Bass D.I.+! Here's what it offers - all in one box! - A gritty, fully controllable DISTORTION channel, to explode your tone! - A smart NOISE GATE with an adjustable SmartGate sensitivity trigger, to remove unwanted hiss and hum, with no sacrifice of tone. - A COLOUR switch for a quick preset EQ contour that immediately places your bass tone in the ''sweet spot'' of the mix. - A BALANCED D.I. for a solid 'direct to PA' or 'direct injection to the board' signal path! What else? Switch the BASS D.I. off and you get clean bypass, but the unit's own Clean channel features the COLOUR switch for some extra turbocharged tone - and with separate onboard BASS, MID and TREBLE controls for quick tweaks! And with three power options available - battery, AC power supply or Phantom Power from your mixer, the MXR BASS D.I.+ is certainly a bass stomp box to be reckoned with.

Price:£ 195.59

MXR Bass Auto Q, Black (M188)

Thu, 11 Mar 2010 21:26:39 +0000

Delivering authentic Crybaby Bass Wah tones and Q control effects at any volume level, the MXR BASS Auto Q can instantly 'funkify' your bass sound, especially when applied to sustained notes and chords. Even the simplest rhythms and lead lines can become dramatic, counter rhythmical textural effects - can't say fairer than that, eh? With individual control over Volume, Q (sweep) and Range, plus Decay, Blend and Rate, the MXR Bass Auto Q offers lots of sonic potential, securely housed in an indestructible casing.

Price:£ 164.19

El Grande Bass Fuzz Pedal (M182)

Thu, 11 Mar 2010 21:26:39 +0000

The El Grande Bass Fuzz, the latest offering from MXR Bass Innovations, is a versatile and brutal fuzz designed just for bass. We took a classic 70's fuzz circuit, re-tuned it for more low end, and added a DEEP switch that delivers up to +15dB of monstrous bass that is internally adjustable between 87Hz - 113Hz. And that's not all: Volume, Tone, and Fuzz controls let you sculpt your tone with precision to get everything you need''from searing, sustained upper-register chords to punchy, growling low B's''without sacrificing low end or clarity. The El Grande comes in a lightweight but durable aluminum casting with the same high-quality jacks and switches that have made MXR pedals the road-ready standard on pedal-boards around the world for over 30 years.

Price:£ 116.99

MXR Bass Blowtorch (M181)

Thu, 11 Mar 2010 21:26:39 +0000

Turn up the heat with the Bass Blowtorch, a revolutionary new concept in bass overdrive from MXR Bass Innovations. Fire it up for the hottest bass sounds this side of Hades '' anything from the traditional tube-like growl to scorching high gain distortion. By focusing the overdrive in the midrange frequencies, the Bass Blowtorch lets you retain low end thunder and high-end sizzle while distorted mids blaze a path through even the densest mix. An active 3-band EQ with 3-position mid shift lets you zero in on an incendiary tone, while the Blend knob lets you balance your distortion with direct signal to taste. And the Bass Blowtorch burns as clean as it does hot, with 18-volt performance for increased dynamic headroom, clarity and low noise even at lethal volume. True hardwire bypass circuitry means that when you switch the distortion out, it's really gone. Housed in indestructible die-cast metal, the Bass Blowtorch has been stomped, mauled and otherwise road-tested by world class-touring bassists. So ignite your tone with the Bass Blowtorch. Guitarists will burn with envy.

Price:£ 164.19

Classic 108 Fuzz (M173)

Thu, 11 Mar 2010 21:26:39 +0000

Guitarists of all styles, from Hendrix devotees to garage rockers and stoner-metal fanatics, will dig the familiar late-Sixties/early-Seventies crunch delivered by the new MXR Classic 108 Fuzz. We've taken the guts of our BC-108 loaded Fuzz Face, placed them in a more pedal-board friendly shape, and added the modern conveniences of a battery door, optional AC operation, and true bypass with LED. A selectable buffer switch eliminates the audible oscillation caused when some wah-wahs are placed in front of a Fuzz Face. The Classic 108 Fuzz, which comes in a heavy duty, Phase 100-sized box with a sweet, hammer-tone turquoise finish and features the high-quality jacks and switches that have made MXR pedals the road-ready standard on pedal-boards around the world for over 30 years.

Price:£ 156.39

Carbon Copy Analog Delay Pedal (M169)

Thu, 11 Mar 2010 21:26:39 +0000

The MXR Carbon Copy Analog Delay features a completely analog audio path for the ultimate in rich, warm delay''made possible only by old-school bucket brigade technology. This design boasts an amazing 600ms of delay time with optional modulation via a top-mounted switch and a simple, three-knob layout that controls Delay time, Mix (dry/wet blend), and Regen (delay repeats)''all in a pedal no bigger than a Phase 90. In addition, two internal trim pots offer user-adjustable width and rate control of the modulation for even more tonal options. The Carbon Copy will take you from crisp ''bathroom'' slap echoes to epic, Gilmour-esque delays with a twist of a knob. True hardwire bypass, single 9-volt operation, and stage-ready blue LEDs round out the package. Available only from Dunlop Manufacturing, the world's leader in analog pedal technology.

Price:£ 171.99

Stereo Tremolo Pedal (M159)

Thu, 11 Mar 2010 21:26:39 +0000

With its warm analog circuitry and lush tremolo sound, the Dunlop TS-1 set the standard for tremolo pedals for over a decade. The MXR M159 Tremolo keeps all the effects and controls of the original''but in a smaller, pedalboard-friendly size. Its 18-volt operation provides rich and vibrant sound with low noise due to its high headroom. With the versatile input/output options the M-159 can produce hypnotic, pulsing mono tremolo through a single amp or ping-ponged from one amp to another in stereo mode for a huge, spacious tone.

Price:£ 203.39

MXR Smart Gate, Black (M135)

Thu, 11 Mar 2010 21:26:39 +0000

Use a high-gain amp and/or lots of stomp boxes? Want to hear the notes but not the noise? Then get yourself an MXR SMART GATE. Equipped with three selectable types of noise reduction - Hiss, Mid and Full - the MXR Smart Gate bites down on sizzle and hum but lets the smallest detail of your playing through. Originally designed by the legendary Scholz Research and Development concern, the Smart Gate has been updated from a half rack sized unit into a genius little foot pedal

Price:£ 156.39

Dunlop MXR Stereo Chorus Pedal (M134)

Thu, 11 Mar 2010 21:26:39 +0000

This gorgeous sounding pedal will remind you how cool chorus can be. Want to add sparkle to clean-toned arpeggios? Animate strummed passages? Widen and fatten distorted power chords? This box will do it all, cleanly and quietly. Set the Rate and Width controls to your liking and then dial in as much effect as you want with the Intensity knob. Shape the tone even further by EQ-ing the modulated frequencies with the Bass and Treble controls. Run in mono or use the stereo outputs for a huge, vibrant sound. If you're looking to preserve the low end of your guitar tone, the MXR Stereo Chorus has got you covered with its Bass Filter button that applies the effect to the high frequencies only. A footswitch toggles Effect on/Hardwire bypass (red LED indicates on); Intensity control adjusts overall effect level; Rate and Width knobs tailor chorus tone, from subtle and sparkly to lush and watery; Bass and Treble knobs EQ the modulated frequencies only; Stereo outputs offer a huge tonal spread while the Bass Filter button leaves low end intact. Chorus is one of the most difficult effects to do justice to, and this MXR unit takes it to a different level, which has to be heard to be appreciated. Being a full-on pro spec unit, it's an 18 volter and can only be powered by the (supplied) Dunlop 18-volt AC adapter.

Price:£ 211.19

MXR Micro Amp, Cream (M133)

Thu, 11 Mar 2010 21:26:39 +0000

This device adds a preset amount of gain, using a single control. With a guitar, this lets you boost your signal for lead work, adjust between two different guitars with unmatched output (i.e. humbucker to single coils), or it can supply a permanent boost in a long effects chain where signal drop-off is a problem.

Price:£ 93.59

MXR Super Comp, Black (M132)

Thu, 11 Mar 2010 21:26:39 +0000

Ever wonder how pro guitar players, from pop to country, seem to get that special sound when playing live? That elusive something in their set-up that seems to give their most intricate licks a real boost, and lets their playing get really 'locked in'... Well, chances are they've mastered how to use compression. The new and improved MXR SUPER COMP will give your playing that very same lift, thanks to being able to balance out attack level, attenuated output and compression sensitivity, at the touch of a footswitch. Get with the pro guitarists for just under a ton!

Price:£ 101.39

MXR Auto Q, Black (M120)

Thu, 11 Mar 2010 21:26:39 +0000

If you know how typical envelope filters work... well, forget them, because MXR didn't copy them. Instead, they've re-defined what an auto-wah can do to funkify your sound. The MXR Auto Q from Jim Dunlop triggers at any playing level, not just on your loudest notes. The Auto Q's effects are amplitude independent, so you get exactly the same effects at high volume or low. Come out front with your solo then drop back for a rhythm fill - your tone mods stay constant throughout. It's all under your control too. The RANGE knob selects how low the automatic wah will reach. The Q control, already famous on the Crybaby Wah pedal series, controls the effect's intensity by providing a sharp frequency peak or a broader, more subtle peak. VOLUME goes to 11, natch, or anyplace below. The BAND switch selects the frequency ceiling where the effect will dominate, LO, MID or HI. MXR has also added a whole new flavour to the Auto Q with the RATE control. RATE dials in variable shimmer that operates independently of the automatic wah section. And the BLEND rotary selects which effect has more prominence - automatic wah (turn left) or variable shimmer (turn right). Straight up and you've got equal doses of both! Finally, there's DECAY - in automatic wah, it simply controls effect dropoff. But when BLEND is set for some shimmer, DECAY controls the transition from one effect to the other. Start your note with automatic wah, and finish it off with a shimmering flourish. You can't get these noises anywhere else!

Price:£ 171.99

Dunlop MXR Flanger (M117R)

Thu, 11 Mar 2010 21:26:39 +0000

Another great old favourite MXR pedal back to reclaim its crown. You can often see guitarists get all misty-eyed as they recall the great tones they got from their old MXR Flanger. Well, dry your eyes, mate, because - it's back! The MXR Flanger is the master of creating wild sounds, from a dynamic 'jet plane passing by' type of wheeeeoooooosh, to cool space effects, to short delay, chorus and vibrato. Back off the Width control to zero to disengage auto-sweep, then use the manual rotary to physically place the effect anywhere along the frequency spectrum. A legendary slice of musical history, no question, and don't forget you can use this brilliant pedal with guitar, bass, keyboards and vocals. Let your imagination run riot!

Price:£ 179.79

MXR Distortion III (M115)

Thu, 11 Mar 2010 21:26:39 +0000

The new Distortion III joins the ranks of MXR classics''such as the Phase 90 and Dyna Comp''setting a new benchmark in distortion tone and quality. Developed from the ground up using carefully selected components, the D-III delivers everything from sweet singing overdrive to massive distortion crunch! It's natural and amp-like distortion is versatile enough to appeal to any playing style and transparent enough to let your guitar's personality shine through. Like all MXR pedals, the Distortion III features a heavy-duty casing, switch and jacks for a lifetime of use.

Price:£ 93.59

MXR 6 Band Graphic EQ Black (M109)

Thu, 11 Mar 2010 21:26:39 +0000

The six bands in this graphic equaliser (100Hz to 3.2kHz) cover the frequencies primarily inhibited by guitars and basses. Each slider delivers a powerful 18dB of variable cut or boost. The M109 is very quiet in operation, and the positive feel of the sliders means that your chosen frequency curve will keep you in shape.

Price:£ 93.59

MXR 10 Band Graphic EQ (M108)

Thu, 11 Mar 2010 21:26:39 +0000

t's been said that money is the great equaliser. Not anymore. Meet the newest member of the MXR family, the M-108 10-Band Graphic EQ. The M-108 gives players huge amounts of tone shaping and level control in a bulletproof enclosure. With its hardwire bypass, illuminated sliders, input and output level controls, and carefully chosen frequencies, the M-108 is unique in the stompbox world. Among other things, this great equaliser will let you tune your rig to any room in seconds, create an earthshaking low end, restore punch, level and treble response to a crowded pedal board - and get more gain out of your current setup than you ever thought possible.

Price:£ 164.19

MXR Phase 100, Orange (M107)

Thu, 11 Mar 2010 21:26:39 +0000

This big brother of the Phase 90 offers a broader range of sounds in a larger unit. Along with the speed control there is a four-position rotary switch that selects four different intensities, defined as preset waveform patterns. Between the intensity and speed settings, you'll find quite a supply of excellent sounds tucked away in this orange casing.

Price:£ 156.39

MXR Distortion +, Yellow (M104)

Thu, 11 Mar 2010 21:26:39 +0000

In the middle ranges of the Output and Distortion controls, you'll find soft -clipped distortion tones that sound truly retro-authentic, especially when they're mixed with a splash of reverb. Pushing Distortion up higher produces classic fuzz tones that are finding their way on to an increasing number of albums. This flavour of distortion is a welcome, enjoyable alternative to LA saturation and British crunch.

Price:£ 85.59

MXR Blue Box Pedal (M103)

Thu, 11 Mar 2010 21:26:39 +0000

This unassuming little box shovels out enough low frequencies to scare a blue whale. It takes your guitar signal, fuzzes it up, then duplicates it two octaves down. You control the output and the mix between the dry signal and the effect. Using it 100% wet is quite an experience, but more recognizable sounds appear as you dial in more dry signal. The Blue Box is known for having a chaotic personality that can make each session a totally unique experience!

Price:£ 85.59

MXR Dyna Comp, Red (M102)

Thu, 11 Mar 2010 21:26:39 +0000

The Dyna Comp is the compressor that lets you set a maximum output level and the sensitivity at which it kicks in. This device can produce that percussive, clicky sound on a clean guitar that you've heard on so many pop hits. It can also even out the volume of sustained tones for mellow lead work. If you crave the sound of the original MXR compressor, there's only one way to get it ... right here!

Price:£ 93.59

MXR Phase 90, Orange (M101)

Thu, 11 Mar 2010 21:26:39 +0000

This device has found its way on to many of Eddie Van Halen's recordings, adding a shimmering velocity to lead passages or a dramatic swoosh to muted strumming. Not just for guitars; it works well with bass, keyboards and even vocals. Vary the speed from a subtle, long cycle to a fast, watery warble... and myriad vintage vibrations in between.

Price:£ 105.99

Dunlop Kerry King 10 Band Equaliser Pedal (KFK1)

Thu, 11 Mar 2010 21:26:39 +0000

Well, if MXR's M-108 10-Band EQ wasn't heavy enough for you, here from MXR, is its evil twin, the KFK1 Kerry King 10-Band! Designed in conjunction with Kerry, legendary guitarist with the band Slayer, this beastly, tattoo-covered pedal sports the same great features and hardcore construction as the MXR M-108, but the King unit can punish two amps at once thanks to dual outputs. Use it as a boost for solos or to create thrash-approved, scooped-mid rhythm tones. Create raging sustain and feedback while getting more thunderous low-end out of your rig than you ever thought possible...

Price:£ 179.79

Dunlop Jimi Hendrix Octavio Pedal (JHOC1)

Thu, 11 Mar 2010 21:26:39 +0000

A true Rock N' Roll artifact''Hendrix's chipped, off-white, ''cheese wedge'' pedal with hand stenciled lettering''is enshrined at the Experience Music Project, Seattle's hallowed rock and roll museum. Jimi's original octave dividers don't look like much, but these magic boxes produced the unforgettable fuzzed-out octave tones heard on the legendary Band of Gypsys: Live at Fillmore East performance. Recently a team of Dunlop engineers made a pilgrimage to Seattle to examine and document an original Octavio''the holy grail of octave tone. They measured and scoped with loving care. The result? The Dunlop Jimi Hendrix Octavio is an exact clone of the amazing ''octave up'' pedal that Jimi used to make rock history. It's all here: every knob and jack, a DPDT on/off switch, and the exact same circuit layout faithfully copied from the original ''breadboard,'' front-panel controls which let you dial in just the right amount of fuzz and adjust overall level. Own a little piece of Jimi''the Dunlop Jimi Hendrix Octavio.

Price:£ 179.79

Dallas Arbiter Fuzz Face Classic Pedal (JHF2)

Thu, 11 Mar 2010 21:26:39 +0000

The original Fuzz Face, as created by Dallas-Arbiter of Great Britain. Ruggedly constructed to the vintage specs, with the original Germanium PNP transistor design. This is the classic fuzz box used by Jimi Hendrix and other legendary rockers of the 60's and 70's.

Price:£ 132.79

Dunlop Jimi Hendrix Fuzz Face Pedal (JHF1)

Thu, 11 Mar 2010 21:26:39 +0000

Hendrix was the master of fuzz '' an artist with many subtle shadings at his command. His love affair with the legendary Fuzz Face pedal began in the early days of the Experience and continued to evolve throughout his brief but blazing career. The Dunlop Jimi Hendrix Fuzz Face is a meticulously faithful reproduction of the 1969-70 Dallas Arbiter Fuzz Face that Jimi used on classic albums like Band of Gypsys. Dunlop's engineering department examined hoards of vintage Fuzz Faces, honing in on a few units which possessed that unmistakable Jimi voodoo. The Hendrix Fuzz Face is built around the toneful BC108 silicon transistor. It is authentic in every detail, down to its hand wired brown circuit board with circuitry carefully matched to the original specs. The look is 100% accurate too '' that groovy circular chassis with tooled clones of the original Fuzz Face knobs in the rare and vintage turquoise hammertone finish. A truly playable collectable for any Hendrix or Fuzz Face fanatic.

Price:£ 179.79

Jimi Hendrix Octave Fuzz Pedal (JH3S)

Thu, 11 Mar 2010 21:26:39 +0000

In addition to the classic fuzz tone, this stomp box synthesizes pitches an octave above notes played, and delivers them to the mix. A Tone knob adjusts the effect from subtle to screaming. You've already heard this unique tonal edge on many of Jimi's solos.

Price:£ 78.59